Work / Video and content

A spot for a compression wear store: five sets on one model in 21 seconds

What it was

A compression sportswear store needed a short social video that shows the range. Shooting every set on a model is slow and expensive, there is a lot of stock, and what sells it is the print.

What we did

Made a video where one athlete stands in a grey studio, throws punches, turns his back, and the set changes right on him: rashguard, shorts, leggings. The scenes were generated with AI, the transition is a red laser flash, assembled in CapCut with music from Suno.

What the client got

21 seconds, five sets, prints and logos readable from the front and the back. Six months later the client wrote again on his own and asked the price of a new video; he got five ideas for his niche in reply.

ClientCompression sportswear store, Ukraine
My roleIdea, scene generation, outfit changes on the model, editing, music
StatusDelivered. Six months later the client came back on his own for a new video
Result5 sets on one model in 21 seconds · Open
Rejected: the set described in words, the model draws its own print and its own logo. A reconstruction of a rule from our prompt base, not a screenshot from this project
Rejected: the set described in words, the model draws its own print and its own logo. A reconstruction of a rule from our prompt base, not a screenshot from this project
Accepted: a photo of the garment as the reference in every frame plus a lock line for the print and the cut. The card is a reconstruction, the frame is real, from the finished video
Accepted: a photo of the garment as the reference in every frame plus a lock line for the print and the cut. The card is a reconstruction, the frame is real, from the finished video

The task

The store sells compression sportswear: rashguards, shorts, leggings with bold prints. It needed a short vertical video for social media that shows the range and looks like an ad, not a catalogue. Shooting every set on a live model is slow and expensive, and there are a lot of items.

Why, and what the idea was

Compression wear is bought with the eyes: the print decides. So the idea is simple: one athlete, one studio, nothing to distract, and the set changes right on him. The viewer does not switch between scenes; he watches the same man and sees five sets appear on him one after another. A turn of the back in every set, so the print and the logo are visible from behind too.

How it went

When What happened
Stage 1 The idea: one athlete in a grey studio, the set changes on him, a flash as the transition between sets
Stage 2 Scene generation: a punch and a stance in the first set, a turn of the back in each following one, a red laser transition
Stage 3 Edit in CapCut, music from Suno, delivery of the 21-second video
Six months later The client wrote on his own and asked how the price is built. We replied with the price structure and five ideas for his niche

Tools and method

Scenes were generated in Seedance, assembled in CapCut, music from Suno. We did not keep a detailed log of this job at the time, so there is no list of prompts here. The rule we make such videos by now: the garment is not described in words, a photo of it goes into every frame where it is visible, and the text carries a lock line for the print, the logo and the cut.

When the client came back, we did not sell him “one more of the same”. We offered five ideas for compression wear: an X-ray in motion, where muscle lines show through the fabric of a runner; a split screen with one athlete on the left without compression and on the right in a set; a macro of fabric squeezing a muscle; a cheetah in leggings on a treadmill; a recovery time-lapse with a fatigue graph over the legs. Two of them build on a technique we had already worked out, white hand-drawn graphics over video.

Result

The video is 21 seconds, 9:16. 0-5 s: the athlete in a camouflage set punches and dodges, a red laser flash at the fifth second. 6-8 s: the green and orange set, a turn of the back. 9-13 s: red with a Viking, front and back. 14-16 s: the black set. 17-20 s: the colorful one with skulls. In every set the logo is visible on the chest, on the back and on the waistband of the shorts.

The main result is not the video but what came after it: six months later the client wrote again on his own and asked the price of a new one. Clients like this do not come in cold, and there is almost no haggling.

Mistakes and what we took from them

The first video got modest views.When the client came back, we did not sell numbers. The argument was how much the work had grown in six months, and it worked better than any statistic.
A pure per-second price does not work.The client asked how the cost is calculated, and we went through the options. We settled on "a minimum package plus seconds on top": it is transparent for the client and does not punish us for short videos.
Ideas for the niche only, nothing generic.Of the five ideas the riskiest is the before-and-after split screen: it needs one athlete walking in sync in two versions, which we had not done yet. We told the client that directly instead of promising.
A product holds in the frame only by reference.Describing a print in words gives a different drawing in every frame. A photo of the garment and a lock line in every prompt where it is visible is the rule for all our product videos.

Tools

SeedanceCapCutSuno