Work / Video and contentopen brief

Trailer for the novel La filastrocca di Odessa: 18 seconds of cinema from a book

What it was

A novel about an art expert and a stolen Sienese Madonna. The author wanted a trailer that sells the mood of the book, not a plot summary. Exactly 18 seconds including the cover, the Madonna must be recognizable, music in the spirit of The Hours by Philip Glass but original.

What we did

Read the book and the brief, scripted every second, and took a real shot from a film as the reference for each frame. Built reference sheets for the heroine, the girl, the doll and the icon. Generated 9 frames and 9 clips, checked each one up close, redid the rejects. Music in Suno, whisper in ElevenLabs, script-based edit to 18.00 s.

What the client got

A finished 1920x1080 video with sound, a 10-frame storyboard and a GIF preview for the platform. The only entry out of 89 where a precise second-by-second storyboard came together with a finished video.

ClientNovelist, Italy. Open brief on Freelancer
My roleSecond-by-second script, film references, prompts, frame generation and review, music, voice, editing
StatusDelivered, client decision after 6 November 2026
Result18.00 s video, 9 frames, each checked up close · Open
Rejected: a Madonna 'in the Sienese manner' described in words, the Child has three arms
Rejected: a Madonna 'in the Sienese manner' described in words, the Child has three arms
Accepted: an icon reference built from a real 15th-century panel by Sano di Pietro, the same size in every frame
Accepted: an icon reference built from a real 15th-century panel by Sano di Pietro, the same size in every frame

The task

The author of an Italian novel was looking for a trailer for her book about an art expert, a stolen Sienese Madonna and the Nazi plunder of art. A strict brief: exactly 18 seconds including the cover, few places and characters, the Madonna must be recognizable, the heroine’s pregnancy must not be shown. Music in the spirit of the soundtrack to The Hours by Philip Glass, but original.

The difficulty: the platform accepted only images and GIFs, no video uploads. At the time of research there were 65 entries, nearly all AI images “in a generic cinematic look”, and not a single rating from the client.

Why, and what the idea was

To stand out we had to show that we had read the book: a doll with one eye and no lashes, the mother’s lullaby, real Sienese painting with a gold ground. And do what none of the 65 had done: a precise second-by-second storyboard from the brief together with a finished 18-second video with sound.

One decision was revised along the way. At first we wanted to describe the Madonna in words, “in the Sienese manner”. Three attempts gave rejects: the Child had three arms, then two Children at once. We took a real public-domain painting as the reference (Sano di Pietro, Madonna and Child, Siena, 15th century) and generated our own icon reference from it.

How it went

When What happened
Day 1, 14:30 Research: the brief, 65 competing entries, the client’s history (on the platform since 2016, had bought book trailers twice), the “images and GIF only” limit
Day 1, 15:30 Trailer plan: the book’s style, 13 similar films, 14 reference shots from ShotDeck with camera and light, second-by-second script, all prompts
Day 1 With the client’s permission we opened her PDF with 22 pictures. Plan adjusted: Beirut instead of the Alps, Geneva, the domes of Odessa, a church interior for the fire
Day 1, 17:00 Music in Suno, the track “The Felt Arpeggio”. Listened to, approved
Day 2, 08:50 4 character references and 9 key frames in Nano Banana Pro
Day 2, 09:20 Frames checked up close. Rejects: three arms, a stray plane, someone else’s Madonna in the archive, fire coming out of the walls. 6 frames redone
Day 2, 10:30 9 clips in Kling 3.0. Redone: the sea, the plane, the church, the archive three more times
Day 2, 11:15 Trailer assembled by script, delivery files ready. Submitted at 11:20

Tools and method

Character references were made first and attached as an image to every frame: appearance does not hold when described in words. For each frame we took a real shot from a film (Ammonite, The Hours, Casino Royale, Never Look Away, Ida, A Haunting in Venice) and transferred it to our script: shot size, lens, light, color.

Frames: Nano Banana Pro, 2752x1536. Animation: Kling 3.0, 1080p, 5-second clips, 1 to 2.4 s of each used in the edit. Music: Suno, a cut from 89 to 104 s plus a final chord, exactly 18.00 s, loudness -16 LUFS. Voice: ElevenLabs v3, three lines of the lullaby, whispered. Edit: a Python script with ffmpeg, captions, a 0.4 s fade, the cover for 2.6 s.

Result

The video is 18.00 s, 1920x1080, 30 fps. 0-3 s: a stormy sea, a red-haired girl with a doll, “Odessa, 1987”. 3-6 s: adult Helena in Geneva, a plane window over Beirut. 6-11 s: the forger’s hand lays gold leaf, a black-and-white 1939 archive, a flashlight beam across the Madonna’s face. 11-15 s: paintings burn in a Venetian church, the frame of our icon burns in close-up. 15-18 s: fade to black and the cover.

Sound: piano and strings, building to the fire, cut off at second 15. Over it, a woman whispers in French: “Dors, poupée, dors… prends garde à tes pas… entre ciel et terre”.

What we do not know yet: whether the client liked it. At submission time none of the 89 entries had a rating. We will add it when it comes.

Mistakes and what we took from them

Three arms on the Child, then two Children.The model does not hold a canonical composition from a description. Fix: a real public-domain painting as the reference and our own icon sheet built from it.
The forger's hand in fingerless gloves.Redone as bare old hands, five fingers on each. Hands are checked up close in every frame.
The doll's eyes drift in wide shots.On a small face "one eye open" does not hold. Fix: on the beach the doll is pressed face-down to the girl's chest, and the single open eye is shown only in close-up.
The icon changed size from frame to frame.Small in the workshop, large with the soldiers. We fixed the size and redid the archive and the church. The archive went through four versions, only the fourth passed.
The heroine's face in the street drifts from the reference after 1.5 s.Only the first 1.5 seconds of the clip went into the edit.

Tools

Nano Banana ProKling 3.0SunoElevenLabs v3ffmpegShotDeckClaude Code